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Interventions In A Landscape

by Cinema Perdu

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  • Compact Disc (CD) + Digital Album

    Cinema Perdu – Interventions in a landscape
    The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke.
    Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned, but also a specific moment in time of being there.
    The music takes you on a reflective journey along these places where the human impact on our surroundings is directly evident by creating an atmosphere in which you can place yourself, without ever been to these four specific places.

    Cinema Perdu bio:
    “Soundtracks without movies” is how Martijn Pieck sees his project Cinema Perdu. In this project he works with field recordings as starting point for his compositions. With all kind of manipulations and additions from other sound sources like synthesizers and contact-microphone recordings he recreates the feeling of a place during a certain time, sometimes more factual, sometimes more storytelling.
    Aside from working as Cinema Perdu Martijn Pieck is co-composer in the [law-rah] collective next to Bauke van der Wal since 2008 and together with Jon Unger formed Woodbender.
    His work is also found in various multi-disciplinary art-forms.

    Includes unlimited streaming of Interventions In A Landscape via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Leihoek 11:47
2.
Cornwerd 09:01
3.
IJmuiden 08:46
4.

about

Cinema Perdu – Interventions in a landscape
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke.
Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned, but also a specific moment in time of being there.
The music takes you on a reflective journey along these places where the human impact on our surroundings is directly evident by creating an atmosphere in which you can place yourself, without ever been to these four specific places.

Cinema Perdu bio:
“Soundtracks without movies” is how Martijn Pieck sees his project Cinema Perdu. In this project he works with field recordings as starting point for his compositions. With all kind of manipulations and additions from other sound sources like synthesizers and contact-microphone recordings he recreates the feeling of a place during a certain time, sometimes more factual, sometimes more storytelling.
Aside from working as Cinema Perdu Martijn Pieck is co-composer in the [law-rah] collective next to Bauke van der Wal since 2008 and together with Jon Unger formed Woodbender.
His work is also found in various multi-disciplinary art-forms.

credits

released November 28, 2016

Mastered by Bauke van der Wal
Artwork and design by Zeno van den Broek

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Cinema Perdu Netherlands

I usually use fieldrecordings as a starting point for my compositions. With all kinds of other sound sources like manipulated samples, recorded sounds with a contact microphone and sound experiments on synths i want to musically (re)create the feeling of a place at a certain time. sometimes its more factual, sometimes its more storytelling.
CD releases can be found on my website cinemaperdu.net
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